Eleanor Cameron, “ The Owl Service: A Study,” Wilson Library Bulletin 44 (1969): 425–33 Carolyn Gillies, “Possession and Structure in the Novels of Alan Garner,” Children’s Literature in Education 18 (1975): 107–17 Ruth Berman, “Who’s Lleu?” Mythlore 4, no. This process is experimental and the keywords may be updated as the learning algorithm improves.Į.g. These keywords were added by machine and not by the authors. All three works are intrusion fantasies, in which the traditional narratives of Wales literally erupt into the primary world of the novels and become something much more powerful than just “old tales.” All three fantasy works reimagine (and have contemporary teenagers re-enact) particular scenes from Welsh legend in order to explore the transition from childhood to young adulthood in terms of personal, national, cultural, and class identity. Alan Garner’s Carnegie Medal-winner The Owl Service (1967) is examined alongside Jenny Nimmo’s The Magician Trilogy ( The Snow Spider, 1986, Emlyn’s Moon, 1987, and The Chestnut Soldier, 1989) and Catherine Fisher’s Darkhenge (2006). Chapter 5 concentrates on Pedair Cainc y Mabinogi (“The Four Branches of the Mabinogi”) and the tale of Taliesin.
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